Gilda Razani is widely regarded as one of the most innovative theremin players of our time. Using the world’s oldest electronic instrument, she creates immersive soundscapes that merge the boundaries between poetry, science fiction, magic, and deep emotions—most clearly heard on The Manhattan Transfer’s Grammy-nominated album Fifty. Razani holds a master’s degree in saxophone performance from the Detmold University of Music.

Hanzō Wanning is recognized for his distinctive musical style, seamlessly blending classical influences with jazz-pop harmonies and expressive improvisation. His piano playing is marked by a lyrical, often melancholic tone shaped by complex harmonic structures and dynamic rhythmic shifts. Wanning studied piano and classical composition in Hilversum, Netherlands, and won the Belgian Jazz Award in 2010. He also brings extensive expertise in electronic music and teaches at the University of Dortmund and the Glenn Buschmann Jazz Academy.

Together, Gilda Razani and Hanzō Wanning compose and produce original film scores and radio play music for the German broadcaster WDR, in addition to releasing their own albums, including Bazaar (Traumton Records, Berlin), Ocean Lily, Faktor X (Atzek Electronic Music, Melbourne), Polaris, Future Memories, and Little Deep Miss Strange(Floating World Records, London). They are also the founders of the sound-branding agency Honeysounds.

Their current musical projects include Honey Bizarre, About Aphrodite, and Amaryllis.